Tag Archives: video

Video demonstrations of Indian Classical music

http://itunes.open.ac.uk/r/nu8D5

The music of North India is mesmerising, and shrouded in tradition and culture. There, raga is the art of life – it is the music of the mind. The tracks in this album focus on three instruments – the tabla, the alap and the voice – all central to the existence of Raga. Each instrument is broken down into the individual sounds that make up the intricate compositions. Performances on all three complete this introduction to the fascinating sound of Raga. This material is drawn from the Open University course AA317, Words and music.

Thanks to Stuart at footstompin for this link. If you really want to know what alap means, try http://en.wikipedia.org/wiki/Alap – needless to say it is not an instrument, despite the confusion of the OU caption writer.

I was most fascinated by the vocables used to describe the different tabla gestures, and also the connection explained by the player of the guitar-shaped instrument between string music and vocal music.

The Battle of Strathcarron, AD642

This stanza is preserved in the Book of Aneirin, as part of The Gododdin, a cycle of early medieval poetry from Edinburgh and the South of Scotland. This stanza is actually quite seperate from the rest of the poem, and is about a battle that was fought near Glasgow in the year 642. The poem is in the Old Welsh language of the Strathclyde Britons, who were the victors. Domnall Brecc was leader of the South Argyll Gaels, and he was killed by Eugein, grandson of Neithon, king of Strathclyde. This is a highly experimental performance and I apologise for my poor pronunciation and erratic lyre playing.

A set of three variants of this famous tune. Composed by Irish harper Miles O’Reilly, it was taken to Scotland by Thomas Connellan. Celebrating (or lamenting) the defeat of the Jacobites in Ireland in 1691-2, the first section (King James March to Irland) is from a Scottish viol manuscript of 1693. The middle section (Lochaber, or Limerick’s Lamentation) and the third section (the Wild Geese, or Ireland’s lamentation) are from Edward Bunting’s field notebook, c. 1800 (ms33(1)), noted down from the performance of Partick Quin in South Armagh.