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Opening up the harp

I have been thinking for a few years now about the shape of the inside of my harp, in light of the new information we have from Karen Loomis’s PhD research at the University of Edinburgh.

When I commissioned the harp from Davy Patton in 2006-7, the thing we were most lacking was info about the inside – the shapes of the joints, and the profile and thickness of the soundbox. Basically, we had to make a lot of educated guesses.

Since then, we have the CT-scans and other technical studies of the Queen Mary harp that Karen has been working on, and many of our guesses have turned out to be pleasingly correct, such as our choice of timber – willow for the soundbox, and a bent limb for the pillar – but we were quite wrong in our decisions on how to shape the soundbox interior.

Luckily, we had erred very much on the side of leaving the wood too thick, so last week I took the harp to Natalie Surina, of Ériú Harps in Oughterard, Connemara, for her to cut a lot of wood from inside the soundbox.

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