“Nathaniel Gow’s Dance Band Concert” last night at the Edinburgh Assembly rooms was far, far more exciting, beautiful and moving than I had expected. The venue was just stunning, the band was amazing, the dancers were elegant and alluring, the programming was just perfect and the audience was almost full and really engaged with the entire project.
For my 10-minute set in next Friday’s 1817 bicentenary concert, I have been thinking about what tunes to play, and how to approach them.
On Friday 20th January, I will be in the Assembly Rooms in Edinburgh, playing as part of a bicentenary concert. Nathaniel Gow introduced Quadrille dances to Edinburgh in 1817, at his annual ball at the Assembly Rooms, and this year Talitha MacKenzie has organised a series of events commemorating this. The main event will be a Regency ball on Saturday 11th March, but there will also be dance workshops and the concert on 20th Jan.
Today I presented my concert in St Andrews, “the Memoirs of Arthur Ó Neill”.
I read excerpts from his autobiography, and played the tunes referred to in the anecdotes.
Here is my video of the complete, half-hour performance:
As I played through some of his settings of Carolan and other baroque Irish harp music, using a copy of an 18th century Irish harp, I started thinking about the whole issue of playing the harp with long fingernails.
My idea is that this grand geometrical composition can stand as a kind of proxy for the lost medieval Gaelic harp repertory, which would have been played on the Queen Mary harp in the great hall at Finlaggan in the 15th Century for the Lords of the Isles.
I am working hard this week, preparing for three events in three days. On Saturday I am in Dundee; on Sunday in St Andrews and on Monday in London.
Steach gu Ciosamul an aighir,
Far a faighte cuirm ri gabhail
Ol fìon o oidhche gus an latha,
Pìobaireachd na feadan lagach,
‘s clàrsach bhinn ga gleusadh mar ris…
I was at Castlebay this past weekend, to play the harp at the Galley Castles Conference organised by the Islands Book Trust. I played three times for three different events during the conference, all of them fairly informal. Though I didn’t get a chance to formally present a paper on my research into the medieval Hebridean harp music and instrument tradition, I was pleased to be able to discuss my research and work with a number of interested academics working in this area on the history and archaeology of the castles and society of the medieval Western Isles and the Lordship of the Isles.