Today I was at Verdant Works in Dundee. The High Mill of this 19th century jute factory is an interesting space for music events.
The video camera malfunctioned so there’s no video of the event for you. But here’s the complete audio: Continue reading Verdant Works
The Museum of the University of St Andrews has an exhibition currently called “Victorian Visions”, looking at 19th century items in their collections, and with a focus on the rediscovery and restoration of the medieval heritage of St Andrews.
When they asked me if I could come in and do a concert of medieval harp music to tie in with the exhibition, I started thinking of musical parallels to this rediscovery. Continue reading Victorian Visions
“Nathaniel Gow’s Dance Band Concert” last night at the Edinburgh Assembly rooms was far, far more exciting, beautiful and moving than I had expected. The venue was just stunning, the band was amazing, the dancers were elegant and alluring, the programming was just perfect and the audience was almost full and really engaged with the entire project.
Continue reading Playing the harp for Nathaniel Gow
For my 10-minute set in next Friday’s 1817 bicentenary concert, I have been thinking about what tunes to play, and how to approach them.
Continue reading early 19th century Irish harp music
On Friday 20th January, I will be in the Assembly Rooms in Edinburgh, playing as part of a bicentenary concert. Nathaniel Gow introduced Quadrille dances to Edinburgh in 1817, at his annual ball at the Assembly Rooms, and this year Talitha MacKenzie has organised a series of events commemorating this. The main event will be a Regency ball on Saturday 11th March, but there will also be dance workshops and the concert on 20th Jan.
Continue reading Nathaniel Gow’s annual ball, 1817
Today I presented my concert in St Andrews, “the Memoirs of Arthur Ó Neill”.
I read excerpts from his autobiography, and played the tunes referred to in the anecdotes.
Here is my video of the complete, half-hour performance:
Continue reading The Memoirs of Arthur Ó Néill
Today I was working on tunes collected by Edward Bunting from the 18th century Irish harper, Arthur Ó Néill, for my concert in St Andrews on 3rd August.
As I played through some of his settings of Carolan and other baroque Irish harp music, using a copy of an 18th century Irish harp, I started thinking about the whole issue of playing the harp with long fingernails.
Continue reading “…the fleshy part of the finger alone”
Today in St Andrews I played the second in this summer’s season of medieval harp concerts. I chose to play the traditional piobaireachd, Cogadh no sith (war or peace), re-imagined as a medieval ceremonial march for the Lords of the Isles.
Continue reading A half-hour pibroch
I am working on the pìobaireachd or ceòl mór, Cogadh no Sith, for this coming Wednesday’s lunchtime concert in St Andrews.
My idea is that this grand geometrical composition can stand as a kind of proxy for the lost medieval Gaelic harp repertory, which would have been played on the Queen Mary harp in the great hall at Finlaggan in the 15th Century for the Lords of the Isles.
Continue reading Cogadh no Sith – War or Peace
I think I first played a public concert on the harp almost 10 years ago, on 4th October 2006, for the first ever Friends of Wighton lunchtime concert in the Wighton Centre in Dundee.
But yesterday’s in St Andrews was the first I have ever tried filming.
Continue reading Concert in St Andrews