Yesterday I was at Verdant Works in Dundee to play the lunchtime concert in their delightful “Music in the Mill” series. I played two big pibroch tunes, and I videoed one of them for you:
Ann Heymann was probably the first person to spot the lyrics “Here lies Lappin” associated with Burns’s March, including them in her book Secrets of the Gaelic Harp (1988). Continue reading Here lies Lappin, harper’s king
My idea is that this grand geometrical composition can stand as a kind of proxy for the lost medieval Gaelic harp repertory, which would have been played on the Queen Mary harp in the great hall at Finlaggan in the 15th Century for the Lords of the Isles.
Steach gu Ciosamul an aighir,
Far a faighte cuirm ri gabhail
Ol fìon o oidhche gus an latha,
Pìobaireachd na feadan lagach,
‘s clàrsach bhinn ga gleusadh mar ris…
I was at Castlebay this past weekend, to play the harp at the Galley Castles Conference organised by the Islands Book Trust. I played three times for three different events during the conference, all of them fairly informal. Though I didn’t get a chance to formally present a paper on my research into the medieval Hebridean harp music and instrument tradition, I was pleased to be able to discuss my research and work with a number of interested academics working in this area on the history and archaeology of the castles and society of the medieval Western Isles and the Lordship of the Isles.
On a whim, I went to the cave, and recorded a video of the pìobaireachd, Uamh an Òir (the Cave of Gold). Continue reading Uamh an Òir
Earlier today I listened to this newly-published interview with Allan MacDonald and Barnaby Brown, online at altpibroch.com. I think this is an excellent new development on this admirable website and I look forward to hearing future installments in this series!
I was interested to hear Allan’s comments on ‘cronan’, and reflected on its use in the harp tradition to describe the string an octave below na comhluighe. I was pleased to hear Barnaby picking up on its relationship with the bass drone of the bagpipe.