Usually, the classical Anglo-European pedal harp is framed as the exact opposite of the Irish harp. But my recent visits to Hospitalfield house to see their 1830s Erard pedal harp have got me thinking about how these instruments fit in to the native traditions.
On Saturday I was at Hospitalfield house, near Arbroath. This amazing 19th century country house is now conserved and run as an arts centre. A recent project was to restore the Erard Grecian double-action pedal harp that has been at the house since about 1830.
Saturday’s event was an inaugural concert for the newly-restored harp, and I was asked to give the pre-concert talk on the harp and its place in Scottish music. Continue reading Erard Grecian harp
Today I was at Verdant Works in Dundee. The High Mill of this 19th century jute factory is an interesting space for music events.
The video camera malfunctioned so there’s no video of the event for you. But here’s the complete audio: Continue reading Verdant Works
The Museum of the University of St Andrews has an exhibition currently called “Victorian Visions”, looking at 19th century items in their collections, and with a focus on the rediscovery and restoration of the medieval heritage of St Andrews.
When they asked me if I could come in and do a concert of medieval harp music to tie in with the exhibition, I started thinking of musical parallels to this rediscovery. Continue reading Victorian Visions
“Nathaniel Gow’s Dance Band Concert” last night at the Edinburgh Assembly rooms was far, far more exciting, beautiful and moving than I had expected. The venue was just stunning, the band was amazing, the dancers were elegant and alluring, the programming was just perfect and the audience was almost full and really engaged with the entire project.
For my 10-minute set in next Friday’s 1817 bicentenary concert, I have been thinking about what tunes to play, and how to approach them.
On Friday 20th January, I will be in the Assembly Rooms in Edinburgh, playing as part of a bicentenary concert. Nathaniel Gow introduced Quadrille dances to Edinburgh in 1817, at his annual ball at the Assembly Rooms, and this year Talitha MacKenzie has organised a series of events commemorating this. The main event will be a Regency ball on Saturday 11th March, but there will also be dance workshops and the concert on 20th Jan.