Cogadh no Sith – War or Peace

I am working on the pìobaireachd or ceòl mór, Cogadh no Sith, for this coming Wednesday’s lunchtime concert in St Andrews.

My idea is that this grand geometrical composition can stand as a kind of proxy for the lost medieval Gaelic harp repertory, which would have been played on the Queen Mary harp in the great hall at Finlaggan in the 15th Century for the Lords of the Isles.

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Classical musics

I have been reading The other classical musics edited by Michael Church (Boydell 2015). When I first saw this book, in Blackwell’s bookshop in Oxford, I thought I wouldn’t like it; I thought the idea of “classical music” as a general concept was too problematical. I kept thinking about the issues though, and later I had another look in Topping’s bookshop here. So I realised I had to get it and read it.

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Repairing, restringing and playing the Dolmetsch harp

When Iris Nevins gave me the Arnold Dolmetsch harp no.10, it had a bad soundboard crack. Closer inspection showed that the entire area where the neck attached to the soundbox was also loose.

I had promised Iris that I would get the harp up and running and do a video of it being played, so first I had to repair it.

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Restringing the Queen Mary harp

I realised it would be somewhat hypocritical of me to recommend my new Trinity College & Queen Mary harp stringing and tuning schedule, with na comhluighe (the sisters) at middle c, if I didn’t put it onto my replica of the Queen Mary harp.

So, last Sunday’s work was to remove all of the old silver trebles and gold basses, and put on the new brass trebles and silver basses according to the new scheme.

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The Ancient Music of Scotland… and more!