Category Archives: harpmaker

New harp makers

I’m always interested to encourage instrument makers who are looking to start building good copies of the medieval Gaelic harps, and recently I have heard from two established instrument makers who are branching out into early Gaelic harp territory. Both have chosen the Queen Mary harp as their model – a good choice given the amount of information published about it, especially since Karen Loomis has started publishing her researches now (see Galpin Society Journal, 2012)

Michael King is an instrument maker in England, specialising in lyres, kanteles and related instruments (I have one of his lyres). For him the Gaelic harp is a step up in size and complexity but the completed instrument looks very handsome I think:

More info from his website.

Pedro Ferreira is a Portugese instrument maker who produces exquisite clavichords and other baroque instruments. His Gaelic harp is also based on the Queen Mary harp; this is a slightlier simpler prototype I think. I am very excited to see a luthier with this amount of experience on sophisticated historical instruments turn their attention to our harps.

You can get more from his website or from his Facebook page.

As yet I have not seen either of these instruments in person, and I have not had a chance to play them or listen to them. Both of these harps have followed my ‘student’ stringing regime with brass in the treble and mid-range and sterling silver in the bass. I am sure both of them would benefit greatly from having gold strings in the bass instead of silver!

Harp string labels

Recently I wrote a new page on earlygaelicharp.info, about possible inscriptions on the Queen Mary harp. As part of this I reviewed my photographs of the labels glued on the harp labelling some of the strings, and then I had the idea of photoshopping and cleaning up the photos, scaling them, printing them out and glueing them onto my replica in the appropriate positions.

For those of you with a Queen Mary replica who want to join in the fun, here is the image I ended up with. Print it out at 486dpi onto good old fashioned white or off-white laid paper, cut out along the black edges, and stick on using flour and water paste. The numbers go on the right hand side* of the string band (so they are visible for a left orientation player), and they are upside-down when the harp is in playing position, so the player can read the letters. They go in order, counting from the treble: 1 [illegible], 8 [c], 9 [b], 11 [G], 15 [C], 22 [C].

Any problems or questions let me know! If you send in a photo of your harp with the labels stuck on, I will feature it here!

*Right and left hand side of the harp are described as from the viewpoint of the player, not of an onlooker