I am playing two special events in the gallery beside the Queen Mary harp in the National Museum of Scotland, Chambers St. Edinburgh, as part of the 26 Treasures series. The Queen Mary harp is treasure no. 8, and Sara Sheridan is the writer who has been assigned this treasure.
On Saturday 3rd December 2011, I am playing at the launch event, in the gallery beside the Queen Mary harp, four 20 minute performances at 12.30, 1.30, 2.30 & 3.30pm.
And on Wednesday 14th December 2011, at 10.30am, I am working with Sara Sheridan to present a childrens’ storytelling event about the Queen Mary harp.
The next Cathedral recital is tomorrow, Tuesday 5th July, at 12.45pm
Medieval battle music in the ruins of St Andrews Cathedral.
The programme will be centred around the grand formal ceremonial tune, ‘The Battle of Harlaw’, celebrating the bloody fighting in Aberdeenshire six hundred years ago this month, in July 1411. Other highlights of the programme will be ‘Hei Tuti Teti’, reputedly Robert the Bruce’s march, and later used by Robert Burns for his song ‘Scots Wha Hae’. I will also recite some verses from the Gododdin, “Scotland’s oldest poem”, which describes the defeat of the men of Edinburgh in a battle in around 600AD – over one thousand four hundred years ago.
This event is part of my summer series of medieval harp concerts in the cathedral. Performed in the Priors House, a medieval vaulted chamber set within the ruins of the Cathedral in St Andrews, this series brings to life different aspects of ancient and historical Scottish music.
The last concert, in June, focussed on medieval church music and included pieces from the ‘St Andrews Music Book’ – a medieval manuscript compiled and written in St Andrews in the 13th century, which is now preserved in a library in Germany. For August, I will play grand Gaelic laments, weeping for the fallen and commemorating great chieftains and warriors. But this next recital on 5th July will draw together tunes from very disparate sources to paint a picture of the ceremonial and martial music of court and castle in medieval Scotland.
The harp I use is a unique replica of the clarsach of Mary Queen of Scots. The 500-year-old original is preserved in a glass case in the National Museum of Scotland in Edinburgh. I commissioned my replica from Irish harp maker Davy Patton in 2006-7. With its amazing soundbox carved out of a single huge willow log, and its intricate carved and painted decoration, the replica harp is a precious medieval art object that fits very well into the ancient ambience of the cathedral.
Admission is free. Tickets can be reserved in advance by calling the Cathedral visitor centre on 01334 472563.
Today I presented a lunchtime talk for the Museum of the University of St Andrews, in their medieval gallery. The talk was to present and describe and demonstrate the replica Queen Mary harp. The medieval gallery of the museum holds some very interesting early treasures of the university, including its three exquisite silver-gilt 15th century maces. However these were not in their display case today, as they are being paraded up and down the streets of St Andrews during the Graduation processions.
Before the talk proper, there was a special session for blind and partially sighted people. The museum staff had prepared a special “audio description” of the harp, and embossed line drawings of it, and the blind and partially sighted attendees also had lots of opportunity to touch and feel the carving and decoration on the harp.
For the talk itself I concentrated on the ceremonial music of the old harp traditions. I tried to tie the discussion in with the objects on display; “Gosteg yr Halen” from the Robert ap Huw manuscript went with a 16th century silver salt cellar; I read a translation from George Buchanan’s history of Scotland, a first edition of which is on display in the gallery; and we compared both the decoration on the harp as well as the structure of the music with a carved Pictish cross slab that stands in the museum.
Finally, to tie in with the 600th anniversary of the founding of the University, in 1411, I played a piece of music for another 600th anniversary: “the Battle of Harlaw”, which commemorates and describes this famous and bloody battle which was fought in Aberdeenshire in July 1411.