Today I have been working on Cumha Raonuill Mhic Ailein Òig, the Lament for Ronald MacDonald of Morar. It is working very nicely as a fiddle tune. I am following Donald MacDonald’s 1820 printed arrangement:
It continues for three more pages with the variations; so far I have been concentrating on the first variation and its doubling. Donald MacDonald’s setting is strangely assymetrical with startling developments of the melody in the second half of the tune; Angus MacKay’s manuscript seems to be the same though I don’t know if MacKay was just copying MacDonald or whether he had the tune independently from oral tradition. All the later sources hack about with it and remove bars to make it four-square and much less dramatic.
I’m tuning the fiddle a-e’-a’-e” (though as usual I keep it one note lower than modern pitch), as this allows the tune to be played mainly on the two highest strings, with the two lowest acting as intermittent drones. I’m finding this tune sits very well on the fiddle, with pleasant string-crossings and open intervals.
I’m not planning to play this on the harp, out of respect for Ranald – if he was, as tradition says, one of the last of the old harpers, whoever composed this fine lament after he died would not have been a harper, though they may well have played fiddle as well as pipes.
Hopefully I will put up a Youtube of it at some point though I already have a backlog of things to record!