I have been working with a student on Rory Dall’s Port from James Oswald’s Caledonian Pocket Companion. I have written on this blog before about how I think this tune was composed by Oswald as a pastiche of old Gaelic harp style.
“Nathaniel Gow’s Dance Band Concert” last night at the Edinburgh Assembly rooms was far, far more exciting, beautiful and moving than I had expected. The venue was just stunning, the band was amazing, the dancers were elegant and alluring, the programming was just perfect and the audience was almost full and really engaged with the entire project.
For my 10-minute set in next Friday’s 1817 bicentenary concert, I have been thinking about what tunes to play, and how to approach them.
On Friday 20th January, I will be in the Assembly Rooms in Edinburgh, playing as part of a bicentenary concert. Nathaniel Gow introduced Quadrille dances to Edinburgh in 1817, at his annual ball at the Assembly Rooms, and this year Talitha MacKenzie has organised a series of events commemorating this. The main event will be a Regency ball on Saturday 11th March, but there will also be dance workshops and the concert on 20th Jan.
I found a shellac 78 disc of Irish harp played by Treasa Ní Chormaic. I don’t know the date of this disc.
I have transferred both sides onto mp3 for you, using a modern turntable.
For the next month, you can view the BBC TV documentary Scotland’s Treasures on iPlayer.
A few different things I have been reading recently have come together in some vague and half-baked ideas on performance issues.
Yesterday I gave my lecture on the clàrsach or Gaelic harp, to the undergraduate students on the Scottish Music degree course at the University of St Andrews.
As is my wont nowadays, I filmed the lecture for you, but there was a mix up with my battery charging, and the camera died 40 minutes in, so you are missing the last 11 or 12 minutes.
Karen Loomis discovered the presence of mercury in the red pigment on the Queen Mary harp, when she did X-ray fluorescence analysis in 2010. This pretty much confirms that the pigment is vermilion, a mercury sulphide compound.
Karen reported that only the pigment on the curved body of the fish on the forepillar indicated mercury; the pigment on the flat panels of the forepillar contained no mercury. A rendering of the CT-scan data printed in her Galpin Society Journal article (vol LXV, 2012, p.166) shows high-density spots in the crevaces between the interlace of the fish shoulders, and also around the fish eye.
As soon as Karen told me about this I thought of re-painting my replica. Continue reading Vermilion