Erard Grecian harp

On Saturday I was at Hospitalfield house, near Arbroath. This amazing 19th century country house is now conserved and run as an arts centre. A recent project was to restore the Erard Grecian double-action pedal harp that has been at the house since about 1830.

Saturday’s event was an inaugural concert for the newly-restored harp, and I was asked to give the pre-concert talk on the harp and its place in Scottish music. Continue reading Erard Grecian harp

Victorian Visions

The Museum of the University of St Andrews has an exhibition currently called “Victorian Visions”, looking at 19th century items in their collections, and with a focus on the rediscovery and restoration of the medieval heritage of St Andrews.

When they asked me if I could come in and do a concert of medieval harp music to tie in with the exhibition, I started thinking of musical parallels to this rediscovery. Continue reading Victorian Visions

Carlione

Looking through the books from the Jimmy Shand Collection in Dundee library for a tune to play on Saturday week at the free community concert in Dundee, I noticed “Carlione a Favourite Irish Tune” in Neil Gow’s third collection (1792). It is Dr John Stafford, or Carolan’s Receipt (no. 161 in Donal O’Sullivan’s index).

Whether or not I’lI get it up and running to play in two weeks time, it got me thinking about tunes titled with strange variants of Carolan’s name.

Continue reading Carlione

Hand position

I’m working on the 3rd edition of my book Progressive Lessons. I decided to be more focussed and concentrate only on the three beginners’ tunes from the testimony of Patrick Quin and Denis O’Hampsey. Looking again at the manuscript sources, I am seeing a lot of things that I had not paid attention to before, and which are worryingly different from the way I have been playing and teaching these tunes up to now.

Continue reading Hand position

Thoughts from behind the harp