my very old teacher
a pupil of Hempson
He plucked the
strings with his
J P Sherwin
On Friday I was at Áras an Uachtaráin with Siobhán Armstrong and Eibhlís Ní Ríordáin, for Culture Night. We gave a 20 minute presentation to the President’s guests; I spoke for a few minutes and then Siobhán and Eibhlís played and sang.
After 12½ years in St Andrews I have moved to Armagh – from the ancient ecclesiastical centre of Scotland, to the ancient ecclesiastical centre of Ireland.
I was in Edinburgh on 28th April 2018, to see the Lord Lyon King of Arms and one of his Unicorn Pursuviants presenting Dr. Robert Currie with his commission as Commander of the Name and Arms of Currie. Continue reading Failte Mhic Mhuirich
Brenda Malloy sent along some photos of the talk and taster workshop last weekend. Thanks to Brenda for permission to put this one here!
When I was preparing my talk for Galway Early Music Festival, I came up with a new handout which I gave to the participants and which we discussed in the talk and workshop session.
The word ursnaidhm (and variants) appears in Bunting’s 1840 book, where it is also translated “The wooden pegs to which the strings are fastened”. Today I was restringing my Student Downhill harp with only four gauges of wire, and I thought I would experiment with the toggle windings, following the historical evidence.
While working on something else I came across this from last year which I had meant to write up.
Understanding the tuning and stringing of an old harp requires knowledge of string lengths and angles. This basically means measuring between the tuning pin and the little hole in the soundboard where the string goes in. But Ann Heymann pointed out to me years ago that on the Castle Otway harp, you can’t see a lot of those holes, because the metal strap down the middle does not line up with the string holes in the wood.